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Max Fleischer (1883--1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical in
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The Magic Kingdom sheds new light on the cultural icon of "Uncle Walt." Watts digs deeply into Disney's private life, investigating his roles as husband, father, and brother and providing fresh insight into his peculiar psyche-his genuine folksiness and warmth, his domineering treatment of colleagues and friends, his deepest prejudices and passions. Full of colorful sketches of daily life at the Disney Studio and tales about the creation of Disneyland and Disney World, The Magic Kingdom offers a definitive view of one of the most influential Americans of the twentieth century.
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Animators --- Biography --- Culhane, Shamus.
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Animators --- Biography --- Avery, Tex,
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In this volume Don Peri expands his extraordinary work conducting in-depth interviews with Disney employees and animators. These recent interviews include conversations with actors and performers rather than solely animators. This book offers Peri's extensive interviews with Marc Davis, Frank Thomas, and Ollie Johnston, three of Walt Disney's famed ""Nine Old Men of Animation."" Peri interviewed two Disney Mouseketeers-Bobby Burgess and Sharon Baird-from the original Mickey Mouse Club Show, providing valuable perspectives on how the Walt Disney Company worked with television. Lou Debney, a Dis
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Animators --- Avery, Tex,
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aaaa ten years before the creation of Mickey Mouse, Walt Disney struggled with, failed at, and eventually mastered the art and business of animation. Most biographies of his career begin in 1928, when Steamboat Willie was released. That first Disney Studio cartoon with synchronized sound made its main character--Mickey Mouse-an icon for generations.But Steamboat Willie was neither Disney's first cartoon nor Mickey Mouse's first appearance. Prior to this groundbreaking achievement, Walt Disney worked in a variety of venues and studios, refining what would become known as the Disney style. In Wa
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"The history of animated cartoons has been dominated by Walt Disney, giving the impression that he perfected the medium. In reality, it was the work of several pioneers. Max Fleischer was one of the most prominent. This book covers his life and work, with rare illustrations detailing the technical aspects of his craft"--
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